And while its musicality and artfulness are outstanding, the album spans party anthems and themes of love, history and political activism too. Fly Or Die II maintains the prequel’s spontaneity, impish spirit, and punkish attitude, but expands the palette. Read our Certified interview with Damon Locks.Listen to an interview with Damon Locks on Bandcamp Weekly. Ancestral Recall was “built as a map to de-colonialize sound,” says Christian Scott aTunde Adjuah. 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It would've been a historic event for four women of color who write, reinterpret and perform roots music on banjo to simply come together and make music — their collaboration is, in and of itself, a reminder of the whitewashed African roots of their instruments. But the moniker didn't stick. The working title for Laetitia Tamko's second album as Vagabon was All the Women in Me — a versatile phrase to sum up everything from the roles women play in society to the singer's own complex identity as a Cameroonian who relocated to New York at 13. Taiwanese Film Composer Lim Giong Revives a Cult Classic in New Tribute Compilation, Touché Amoré’s Jeremy Bolm Picks His Bandcamp Favorites, The New Sound of Electronic Music in Egypt, Pallbearer’s Joseph D. Rowland Picks His Bandcamp Favorites, Essential Releases: Jungle, Coldwave, Brazilian Fusion and More, Boy Pablo Showcases His Chilean Roots On Optimistic Debut Album “Wachito Rico”. That this album-length collaboration by two of urbano's most visible artists covered as much genre territory as it did prompted another examination of its often relegated place within "Latin" music, whatever that is. Ce travail collectif avec leurs équipes — Renaud Rebillaud et Meya Music — a duré six mois. But it's also untidy, uneasy, irresolvable. The talk that's surrounded it has focused on Herndon's co-creation of an AI that became part of an ensemble she worked with to make the record. The Daughters' collaboration is enriched by the distinctness of each of their voices: the dogged Appalachian blues rock of Kiah's "Black Myself," the willowy reverence of Russell's "Quasheba, Quasheba," the commandingly vivid narration of Giddens' harrowing call-and-response "Mama's Cryin' Long," the Kreyol liveliness of McCalla's "Lavi Difisil," the polyrhythmic communal audacity of "Moon Meets the Sun." With help from the expressively agile Attacca Quartet, Pulitzer-winning composer Caroline Shaw takes inspiration from the old masters but makes the music shine in her singular way. A mysterious UK group—or collective, or one person plus a bunch of auxiliary musicians, it is literally impossible to know for sure—Sault throw ESG, Liquid Liquid, U-Roy, and The Meters into a blender and press “puree.” 5 and 7, released within months of each other, are joyous, invigorating records, full of songs that bubble and groove, every instrument deferring to the bassline. But Ex Hex are warriors from another dimension, where Def Leppard still top the charts and ironic nihilism is strictly for squares, sent to us by the Gods of Rock on a glittery mission to lift hearts via sick riffs delivered with unalloyed ferocity in the service of fun and friendship. Leur duo est le carton surprise de l'année écoulée. Accordingly, the group employs bouncy sax, tense bass lines, and riotous yelps—conjuring the B-52s, Le Tigre, and Essential Logic in one manic package. The Minneapolis black-metal band False don’t play songs; they paint with sound at a glacial pace, with darkness as their muse. This, really, is the animating factor to Nothing Great About Britain, his debut album; both Slowthai’s political evisceration of Britain’s national mythology and his self-mythologizing are built upon it. Empath doesn’t play by those rules. How do we care for each other? In 2006, one of the Western world’s greatest philosophers opined, “People don’t dance no more / they just stand there like this.” Thirteen years later, plenty of people are dancing—we even have whole television shows about it—which makes the arrival of Sault perfectly timed. to DaBaby's 'Baby on Baby.'. But Ex Hex are warriors from another dimension, where Def Leppard still top the charts and ironic nihilism is strictly for squares, sent to us by the Gods of Rock on a glittery mission to lift hearts via sick riffs delivered with unalloyed ferocity in the service of fun and friendship. On "Speak Gently," heavy fuzz guitar suddenly disintegrates as if Thanos had snapped his fingers; it's disarming, haunting. Non seulement leur album (sur le label Mercury) a été aussitôt premier des ventes fin août mais leur tournée a commencé à se remplir avant même sa sortie. « Je pense que les gens ont ressenti que ce projet n'était pas un coup marketing mais racontait l'histoire d'une vraie amitié », analyse Vitaa. On ne voulait pas un album léger et radiophonique, on a écrit comme un dialogue, sur la trentaine, les rapports homme-femme. He surrounds himself with a who’s-who of Chicago mainstays: Sen Morimoto makes an appearance on saxophone; Knox Fortune programs some drums. Merch for this release: Vinyl LP, Compact Disc (CD) From the fuzzy guitar-driven energy of Boogarins, to the string-laden freakfolk of O Terno, and the relaxed vibe of Leonardo Marques, 2019 had no shortage of striking music from Brazil.So it’s fitting that the strongest of the bunch was a love letter to the history of Brazilian music itself. —Jewly Hight, ■ MORE: Jewly Hight reviews Songs Of Our Native Daughters, Ari Lennox declared her intentions for her debut album right from the title. Read our Certified interview with Jamila Woods.Listen to an interview with Jamila Woods on Bandcamp Weekly. Vitaa et Slimane, 8es des ventes d’albums en 2019 : «C’est tellement mieux à deux» Le duo est le succès surprise de l’année 2019. Leur tournée (en France, Belgique et Suisse) démarrera le 7 mars à Beauvais et s'achèvera au plus tôt en avril 2021 à l'AccorHotels Arena. Non seulement leur album « Versus » entame 2020 en tête des ventes d'albums devant Angèle et Johnny Hallyday, mais il a fini 2019 à la 8e place (avec 273 207 exemplaires écoulés), devançant en quatre mois de gros vendeurs comme Lomepal, Les Enfoirés et M.Pokora. Monday, Dec. 9: Best Albums of 2019: #100 – 81Tuesday, Dec. 10: Best Albums of 2019: #80 – 61Wednesday, Dec. 11: Best Albums of 2019: #60 – 41Thursday, Dec. 12: Best Albums of 2019: #40 – 21Friday, Dec. 13: Best Albums of 2019: #20 – 1. Not to mention, it takes a brave bunch of formerly glum indie rockers, indeed, to replicate stadium rock without a smidge of irony: from Betsy Wright’s thundering metal carnage on “Rainbow Shiner” to the sparkly comet trails left by Mary Timony’s guitar lines on the enormous “Cosmic Cave,” It’s Real transcends its source material by approaching it with complete sincerity and true belief in the power of rock. Shop for Vinyl, CDs and more from Slimane at the Discogs Marketplace. Explore releases from Slimane at Discogs. This album is a radical act of self-claiming, one that does more than reintroduce a great 21st Century voice. Originally writing his own songs and uploading them to the internet, Slimane had his first brush with fame when he entered the seventh season of singing completion Nouvelle Star in 2009. jwplayer('jwplayer_flIwhUCn_zFOPDjEV_div').setup( John Luther Adams' follow-up to his Pulitzer Prize-winning Become Ocean is brought to life here by the Seattle Symphony and its conductor emeritus Ludovic Morlot in grand-scale minimalist fashion. It's a beautiful and potent mix, one Mering deftly subverts with hints of madness. This compilation is a vibrant portrait of the northern Brazilian city of Belém in the 1960s and ‘70s, where indigenous Amazonian sounds combined with the influences that arrived from across the Atlantic Ocean.
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